Olivier Messiaen : inter-relação entre conjuntos, textura, ritimica e movimento em peças para piano / Olivier Messiaen : inter-relation between sets, texture, rhythm and movement in piano pieces
AUTOR(ES)
Adriana Lopes da Cunha Moreira
DATA DE PUBLICAÇÃO
2008
RESUMO
This work proposes an association between musical analysis techniques developed during the twentieth and the twenty-first centuries and the musical theory concepts presented by Olivier Messiaen in his Technique de mon langage musical (Messiaen 1944a and 1944b) and Traité de Rythme, de Couleur, et d Ornithologie (Messiaen 1994a, 1994b and 1994c), first, second and third volumes. For this purpose, it relates Messiaen´s theory concepts to analysis techniques presented by authors like Allen Forte (1973), Joel Lester (1989), Joseph Straus (2005), Christopher Hasty (1981), Stefan Kostka (2006), David Cope (1997), Wallace Berry (1987), Michael Friedmann (1987), Elizabeth West Marvin (1991) and Felix Salzer (1982). Trough the analysis of five piano pieces by Olivier Messiaen the efficiency of this process is demonstrated. The analyses are supported by the composer´s biography, as well as by articles previously written by prestigious researchers. It adds to the musical analysis bibliography in Portuguese language and it contributes to broaden the theory concepts presented by the composer. The five Annexes that complement this work bring new revelations by Brazilian composer Almeida Prado, about an Olivier Messiaen´s project, never made concrete, to compose a second Catalogue d oiseaux. In the Conclusion we trace lines of conduct concerning the musical analysis techniques as well as Olivier Messiaen s piano work as a whole
ASSUNTO(S)
apreciação etc.) piano music musica para piano - interpretação (fraseado musica para piano - história e crítica piano music dinamica composition (music) piano music musica para piano - análise composição (musica)
