O violÃo clube do CearÃ: hÃbitus e formaÃÃo musical / The guitar club CearÃ: habitus and musical training

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

10/12/2010

RESUMO

In the period 1945 to 1962 arose in Fortaleza a group of guitarists, the VIOLÃO CLUBE DO CEARÃ (Ceara Guitar Club), with the sole purpose of playing music on guitar. This thesis aims to understand the processes that enabled the emergence of this institution in the music scene, anchored in an approach based on the concepts of habitus, field and capital of Pierre Bourdieu. Aims also the characterization of the speech of agents that have established the musical field and the habitus of VIOLÃO CLUBE DO CEARÃ;. the mechanisms used by these musicians to legitimize their musical practices;. the musical trajectories of their main members; and. the convergence of ideas, living space, body hexis, musical repertoire, values, beliefs, attitudes and opinions that led the formation process of the VIOLÃO CLUBE DO CEARÃ. The methodological procedures here used were questionnaires, semi structured interviews and documentary analysis of recordings, LPs, CDs, cassettes, notes, news, newspaper and meeting minutes; they allowed the collection of data with which we work to reveal the meaning and importance of the VIOLÃO CLUBE DO CEARÃ in the artistic field of Fortaleza as the city accelerate its urbanization.

ASSUNTO(S)

music in fortaleza artistic field habitus guitar club violÃo clube do cearà campo artÃstico habitus clube do violÃo musica violÃo - estudo e ensino violÃo clube do cearà - histÃria e crÃtica mÃsica - estudo e ensino â fortaleza (ce) educaÃÃo musical cultura e educaÃÃo artes - estudo e ensino â fortaleza (ce)

ACESSO AO ARTIGO

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