O tragico no teatro de Federico Garcia Lorca / The tragic in Federico Garcia Lorca s theater

AUTOR(ES)
DATA DE PUBLICAÇÃO

2007

RESUMO

This document is a result of an investigation about the tragicity s occurrences in Federico García Lorca´s theater, especially in the following plays: Bodas de sangre, Yerma and La destrucción de Sodoma, the Trilogía dramática de la tierra española, according to the name created by the writer. The text presents a general vision about Lorca s dramas, analyzing global aspects and special qualities around all his complete publishing plays. It is a possibility to know Lorca´s dramatic universe, his subjects, like love and freedom, and his great poetic and musical style. Then, referring to Aristotle s Poetic to actual drama s theories, the document intend to see the differences between tragedy (a specific cultural happening from Atenas, the Greek city, in the 5th century BC) and tragicity, a modern conceptual construction inspirated in the Mediterranean s tragic past, but equally in the modern philosophy. So, there is the need of a deep study about Friedrich Nietzsche s philosophy, showing the opposition between two instincts that teach the war inside the tragedy: Apolo s instinct (illusion, fantasy) and Dioniso s instinct (drunkenness, ecstasy). Finally, it s possible to understand some inspirations that the Greek tragedy gave to García Lorca´s dramas. To have this done, Bodas de sangre, Yerma and La destrucción de Sodoma s fragment were analyzed. Finally, it is shown the dissertation points, the construction of a modern concept of tragicity inside the studied plays which demonstrate ideas very similar to Nietzsche s philosophic concepts, like the Superman notion

ASSUNTO(S)

tragedia tragedy teatro theater

ACESSO AO ARTIGO

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