O narrador e seus duplos em Nenhum olhar e em Cemitério de pianos, de José Luís Peixoto / The narrator and his double in Nenhum olhar and Cemitério de pianos, by José Luís Peixoto
AUTOR(ES)
Kátia Cristina Franco de Medeiros Suelotto
FONTE
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia
DATA DE PUBLICAÇÃO
24/09/2012
RESUMO
The main objective of this thesis is the investigation of narrative focus on novels Nenhum olhar and Cemitério de pianos, by José Luís Peixoto, in order to defend the hypothesis that the first-person narrator promotes the assumption of doubles. Both works bring characters to tell their story and in the process of narration, get in touch with themselves, a perspective based on the deformations intrinsic to the passage of time. In this sense, the faculty of memory plays a key role in the relativization of the past. It is, firstly, an analysis of the level of expression. Concomitant with the question of the narrator and his double, we observed that the contents of both novels evoke the theme of the quest for salvation. We understand that the world view that permeates these works is based on the journey of Christ on Earth and in particular the drama of the Passion. Therefore we conclude that the desire of the first-person narrator to tell his story, are closely related to the phenomenon of the double and the denial of death. Thus, by duplicating the characters come into contact with supratemporal reality, founded on myth.
ASSUNTO(S)
christocentric worldview cosmovisão cristocêntrica duplicação duplication first-person narrative focus foco narrativo em primeira pessoa josé luís peixoto josé luís peixoto mito myth
