O hip-hop (en) cena : problematicas acerca do corpo, da cultura e da formação
AUTOR(ES)
Daltro Cardoso Rotta
DATA DE PUBLICAÇÃO
2006
RESUMO
This paper has as field of problems some practices of socialization of outlying neighborhoods, and it possesses the hip-hop culture as a great experimentation field. Of great influence in the contemporary Youth s culture, the hip-hop engenders speeches loaded of concern with the sceneries of social and cultural segregation lived by the urban peripheries, besides producing through exhausting sections of training, a capable body to the development of an art endowed with a singular potency of staging, through gestures, corporal composition and movement, a certain style of living marked by a lack scenery, of precariousness and prejudice, however no lacking of inventiveness. I would say that they are potent bodies that they bring the marks of the social exclusion and a certain daring of staging, in the form of an art of the streets, an aesthetics of the existence. I aim at, in this research, the path of formation of two groups of hip-hop of the city of Pelotas/RS: Street Pirates Crew and C.N.R. Rappers. Through ethnography strategies as the participant observation, registration in field diary and oral depositions. I problematize their paths, that space of the socialization as a practice of outlying leisure, until an organization that guarantees to their actors an important formation device and social insert
ASSUNTO(S)
rap (musica) cultura body non formal education corpo rap (music) culture educação não-formal
