O Cinema da Retomada : Estado e cinema no Brasil da dissolução da Embrafilme a criação da Ancine / Brazilian contemporary cinema
AUTOR(ES)
Melina Izar Marson
DATA DE PUBLICAÇÃO
2006
RESUMO
This work presents an analysis of the relationship between Cinema and State in Brazil between 1990 and 2002, the period that corresponds with the elaboration and the institutionalization of new cinematographic politics. The cinematographic production in Brazil faced a grave crisis in the beginning of the nineties, after the extinction of the financial state agencies and inspectors (Embrafilme and Concine). Thanks to the introduction of measures of fiscal resignation, which translated into a significant increase in the production of films, Brazilian cinema "retook it?s breath" and became known as the Cinema da Retomada (Cinema of the Retaken). Through the internal movements of the cinematographic field and its constant dialogue with the State, these measures were perfected and incorporated into a new state agency created for the Brazilian cinema, the National Agency of Cinema (Ancine) accomplished in 2002. Through the analysis of the discourse of the cinematographic field and official documentation, this work approaches the Cinema da Retomada (Cinema of the Retaken) as a product of a new conception of cinematographic politics and new configurations and power games within the cinematographic field ? new conceptions and configurations that, single-handedly, altered the form of filmmaking in Brazil, and Brazilian cinema itself
ASSUNTO(S)
1990 brazil cinema e estado cinema cinema and state cinema - brasil
ACESSO AO ARTIGO
http://libdigi.unicamp.br/document/?code=vtls000377319Documentos Relacionados
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