No Poema : a paradigm of Sophia de Mello Breyner Andresen s poetry / No Poema : um paradigma da tessitura poética de Sophia de Mello Breyner Andresen

AUTOR(ES)

Vivian Steinberg

DATA DE PUBLICAÇÃO

2006

RESUMO

This assignment aims the investigation over Sophia de Mello Breyner Andresen poetics throughout the series "No Poema", in the 7th part of the book entitled Geografia (1967). The poet plays up with the earthy and language crust. We observe common elements between her poetics and of her pairs. For instance: the poet reveals the Gods death as well as the language crisis. The subject has a discursive fading, being the silence present as the creative element. The poet chases the "ostinato rigore" that Paul Valéry had recaptured. Sophias poetry has correspondent points with Hölderlin´s work while considering both poets: the language as the dwelling of a being. Similar to João Cabral is the "ostinato rigore", where silence is perceived as the poetic creative element and the fading of the subject occurs after its creation. Together with Francis Ponge, to entitle precisely the objects, lays the fondness of the concrete. The synthesis is with Paul Celans, and finally the Portuguese literary tradition with Fernando Pessoa. This evidence has emerged from the perusal of the poems selected to this investigation.

ASSUNTO(S)

crise da linguagem; metalinguagem; poesia do século xx; poesia moderna portuguesa; sophia de mello b language crisis; metalanguage; portuguese modern poetry; sophia de mello breyner andresen; 20th cent

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