La soberanía más allá de la instancia del poder y del dominio en torno a la bio-política de Jacques Derrida

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DATA DE PUBLICAÇÃO

2018-06

RESUMO

Abstract: In the present article we try to find in the Derrida of La dissemination (1972) a certain bio-political thinking that includes the figure of the animal, and in relation to which the concept of sovereignty can be thought of in a way that goes beyond instances of power and domination. The Seminar The Beast and the Sovereign, published posthumously, seems to be the Derrida's most finished expression of this line of thinking. First we follow Derrida's discussion of painting as zoography in La dissemination. On the basis of a deconstruction of what we call here the "sovereign sequence", we analyze the relationship between sovereignty and "the animality of writing" as a corollary of bio-politics or zoopolitics. Second, we explore Derrida's discussion with Agamben and with Foucault on the concept of life, and discuss a politicity of life that includes animality and that can be situated beyond power and domination. Third, we compare Foucault's and Derrida's ideas on sovereignty as expounded in Hobbes' Leviathan. Three question raised by Foucault about the Leviathan (State) are treated: whether it is purely manufactured, whether it is purely unitary, and whether it is purely central. In conclusion, we return to the initial problem of zoography and what Derrida calls "the double and contradictory figuration". A concept of sovereignty that includes animal figuration can not avoid de-figuration and, consequently, it is no longer possible to think of sovereignty only in terms of the political.

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