Impulso e manifestação : relações entre o corpo espetacular do ator e o do praticante do rito de Tara / Impulse and manifestation: a relationship between the actor and the Tara ritual practioner s spectacular body
AUTOR(ES)
Daniel Reis Pla
DATA DE PUBLICAÇÃO
2006
RESUMO
This work aims to establish a relationship between the spectacular body observed in the practioners of a ritual linked to red Tara and the spectacular body of the actor. The study was based on the ritual practioners observation between 2002 and 2004 at Tchimed Ling /RS, Khadro Ling/ RS and Odsal Ling/SP centers which were linked to Chagdud Gonpa Brazil. This organization covers centers linked to tibetan lama Chagdud Tulku Rimpoche (died in 2002) who brought this Tara practice to Brazil. The author, joining the initiate practioner vision to the researcher and artist?s one, it was tried to develop a broader vision of the ritual without losing the vison of the inserted context. Investigating the principles of a diferentiated daily body construction observed during Tara practice it was joined the study of traditional texts and instructions and western authors works of drama, philosophy and meditation. In this process of theoretical review and observation was found in the spectacularity concept the link between these two universes, allowing a dialog construction between practioner and the actor?s spectacular body. Testing these principles while rehearsaling with pupils from the setting group of Núcleo de Artes Cênicas Campinas II joined with SESI/SP in 2004 and 2005, it was observed that the process that leads to the body spectacularity implies the manifestation of the will-impulse in time and space. Therefore it was possible to observe that the practioner spectacular body and the actor?s are the result of a precise and conscious work involving principles which allow a dialog between these two universes. It was also observed that is possible to build knowledge based on a study of any determined cultural context at a perspective based on an inter-tradition dialog without the necessity of each other?s explanation
ASSUNTO(S)
corpo meditação buddhism teatro body drama meditation ritual actors atores ritual budismo
