Hibridizações no cinema digital : Peter Greenaway no espaço intermezzo e nas potencias do falso

AUTOR(ES)
DATA DE PUBLICAÇÃO

2009

RESUMO

The goal of this present research is to investigate the transformations occurred in the movie aesthetic with the insertion of the digital technology. Through the analysis of the movie Tulse Luper Suitcases, by Peter Greenaway, its intended to observe in what measure the movie produced with the digital technology hybridizes with the video and the television, incorporating aesthetic procedures from these means. The theoretical soil which this research is sustained is the philosophy from Gilles Deleuze. It is used the concept of fake potencies to investigate how the movie made by Peter Greenaway, when working the images in layers, break with the truth ideal, putting concepts as simultaneity and multiplicity as priorities. The concept of intercessors also shows itself pretty relevant in our work, as it allows identifying the digital technology as an external element that acts as a new concept producer in moving images.

ASSUNTO(S)

vídeo powers of the fake artes potências do falso digital technology video cinema vontade de verdade tecnologia digital cinema will to truth

ACESSO AO ARTIGO

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