Henri Michaux and the construction of the style in the senses instabilities: the poetry of threshold and limit / Henri Michaux e a construção do estilo nas instabilidades do sentido: uma poética de limiares e limites
AUTOR(ES)
Andrea Perazzo Barbosa Souto
DATA DE PUBLICAÇÃO
2009
RESUMO
The poetry of Henri Michaux, the author of the French contemporary literature, shows some features that transmit to the work a character of considerable diversity and heterogeneity and establish what will be called the poetry of threshold and limit. Its about proceedings that incise directly or indirectly in your poetics texts, as: the instability on the frontiers of gender, the interference of the fantastic and of the eccentric in the portray. Whit that the conceptions of reference and representation, of designation and identity, subjective and objective enunciation modes are disestablished and the connections among all the others structure components of the construction of the meaning get engaged. His poetry creates several kinds of movements, what benefits a higher degree of instability of the senses and cause tension on the orders, sometimes as a narrative, as figurative, as enunciatively, as trouble of passion or tensity. Under the perspective of the French semiotics, the research intends to demonstrate the way these movements affect the ways to believe, to appear, and to knowledge, challenging doubts, uncertainty, unfamiliarity and uncomfortable sensation to the reader on the relativity of the vision that normally there is of the natural world. These movements, considered as discourse proceedings, are done according to the presence modes of the actors of the enunciation. Therefore, there will be seen as the effective functioning of the consideration of the subject as aspect, susceptible to gradual and tense modulations. To consider that, these proceedings happen in order to consolidate the effects of meaning that contribute to build a style that is from the authors style an ethos. The ethos apprehension always depends of a totality of discourses. To compose the corpus of this research, it was necessary to sort texts of the writers works Mes propriétés (1930), La nuit remue (1935), Plume précédé de Lointain intérieur (1938) and Face aux verrous (1954). In order to relate the intertexts between the author and Lautréamont, this corpus includes a totality of texts of the work Os Cantos de Maldoror (Lautréamont, Les Chants de Maldoror, 1869).
ASSUNTO(S)
semiótica estilo henri michaux style semiotics poetry and prose poesia e prosa enunciação enunciation henri michaux
