Giulio Caccini e suas Novas Musicas : um elogio ao canto / Giulio Caccini and this New Music : a praise of chant

AUTOR(ES)
DATA DE PUBLICAÇÃO

2009

RESUMO

Giulio Caccini (1561-1618) and his New Music are the central subject of this research. The translation of his most important works, Le Nuove Musiche (1601) and Nuove Musiche e Nuova Maniera di scriverle (1614), the chant practical study and the carefully observation of one of his arias are the basis of this work about an age in which the skill of being original was a real high demand for every court artist. Giulio Cacini has done it finding in his job as a singer and composer, the manners of living collectively and leaving his personal legate to eternity. Get into the reflexions of the Renaissance art characteristics, always starting from the chant and original texts, trying to let them reverberate, or in armonia favellare, is the biggest desire of this study. To benefit from a better understanding of Giulio Caccini s publications, the work connect the specialized musicology literature, history and sociology in 3 chapters, in order to integrate the knowledge that uses to be separated: 1. A Praise of Chant, 2. General aspects of the music in Renaissance and 3. The Florentine Camerata, the court artist and the paideia. The author s texts and music are the principal sources, supported by the practical experience following his chant lessons and the context of the treatise s arise conditions. Ending the research, there are an appendix of personalities related to the author and his time, a short ancient music glossary, the copy of the facsimile original edition and a Giulio Caccini s musical selection from CDs that are available in trade market.

ASSUNTO(S)

educação education ancient music chant canto musica antiga musica music

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