Eu, eu mesmo e o outro: didascálias discursivas e figuras de acréscimo.Teoria e prática. / Me, Myself and the Other: Discoursive Didascaly and Figures of Addition. Theory and Practice.
AUTOR(ES)
Mariana Norberto Palma Giordani
DATA DE PUBLICAÇÃO
2010
RESUMO
Coined in the theater, didascaly is the set of instructions authors of dramatic texts give the actors regarding their representation. By employing the theatrical term in the linguistic scope, this work proposes the study of the enunciative game in didascaly and in other figures of addition in the presss discourse, more specifically in interviews, diverse reports and articles taken from French magazines. Mediated by the concepts of polyphony and dialogism according to Bakhtin and their unfolding elaborated by Ducrot (1972) and Authier-Revuz (1982, 1984), in addition to Ubersfelds (1996) studies about didascaly, this research aims at two goals: firstly, to analyze the complex operation of some figures of addition, i.e., the means by which the others intromission occurs in the linearity of an enunciation; and secondly, to show the appropriation and reproduction of others discourses and individual management according to general writing rules are complex operations for the student, either in their mother tongue or in a foreign language. From the assessment of the corpus, taken from French magazines, we selected the figures of addition marked by the use of parentheses or similar typographic signs and tried to create a typology of the various forms of the others manifestation and of what would the guidelines for these insertions be, in the perspective of form and construction of meaning.
ASSUNTO(S)
discourse analysis writing production enunciação figures of addition didascálias discursivas figuras de acréscimo produção escrita enunciation análise do discurso discoursive didascaly
