ENTRE O PIANO E VIOLÃO: A MODIHA E A CULTURA POPULAR EM FORTALEZA (1888-1920). / Between the piano and the guitar: the Modinha and popular culture in Fortaleza (1888-1920).

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

16/10/2012

RESUMO

The genre little fashion, protoformer urban popular music, grew up in a time when urgently sought a sense of national identity that, with the abolition of slavery and the proclamation of the Republic, won a new direction before the Brazilian intellectuality, translating into ideas such as Sílvio Romero, who advocated the "whitening" of racial and cultural Brazil through miscegenation. Seeks to discuss this apparent unpretentiousness with regard to the use of the subject of race, middle and folklore from different appropriations of popular culture through the ballroom little fashion and seresteira, piano and guitar, produced in Fortaleza between the years from 1888 to 1920. It is noticed that while Alberto Nepomuceno and Branca Rangel, the verses of Juvenal Galeno, embodied the idea of popular supported in German Romanticism, which brought a sense of "naive spontaneity" and anonymity regarding rural and man of the field; Ramos Cotôco, Teixeirinha and Carlos Severo, under the influence of the bohemian lifestyle, characterized by the lack of concern with respect to material and social conventions, appropriated the popular tied to urban areas and the problems of representing workers, especially blacks and mestizos from of satire and comedy.

ASSUNTO(S)

modinha disputa historia urbana popular culture modinha dispute cultura popular

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