Dogeared Hate: Yilmaz Arslan's Brudermord/Fratricide (2005), a new type of Heimat film

AUTOR(ES)

Pleasant, Lesley C.

FONTE

Pandaemonium ger.

DATA DE PUBLICAÇÃO

2016-05

RESUMO

Abstract This paper focuses on the Heimat (home) metaphor of the Pit Bull bitch in Yilmaz Arslan's Brudermord/Fratricide (2005), a film about Turkish migrants in Germany. Updating the genre for a world of fluid boundaries, this is a Heimat film of the German margin. Arslan's film self-reflexively posits transnational Heimat film as a possible bridge between "Others", as a means to facilitate conversations which might decrease the violence of the present dog eat dog world of the margin the film portrays.

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