Discursos de intervenção: o cinema de propaganda ideológica para o CPC e o ipês às vésperas do golpe de 1964 / Discursos de intervenção: o cinema de propaganda ideológica para o CPC e o ipês às vésperas do golpe de 1964

AUTOR(ES)

Reinaldo Cardenuto Filho

DATA DE PUBLICAÇÃO

2008

RESUMO

The present dissertation aims the investigation of the political propaganda film industry production between 1961 and 1964 by two ideological character associations: the Instituto de Pesquisas e Estudos Sociais Ipês (Research and Social Studies Institute), managed especially by liberal and anticommunist rich businessmen; and the Centro Popular de Cultura CPC da UNE (Culture Popular Center), constituted of young artists influenced by marxist ideas. And to do so, I tried to join information provided by the intrinsic analysis of their films and the historic context in which they were produced and released and, especially, the information taken from the documentation I had access to, with the purpose of understanding the cinematographic models to which these films attached. By studying how ipesianos (term used to refer to the members of Ipês) and cepecistas (term used to refer to the members of CPC) were opponents in the instable Brazil near the 1964 coup detat, it was possible to observe how both groups financed their cinematographic activity, expecting to exercise some influence on the country cultural and socioeconomic course, by producing conflicting projects intended to, on the one hand, strengthen the power elite by supporting liberal based capitalism, and on the other hand, bring the capitalist power structures to an end. Nevertheless, even showing divergences, this research makes evident how both groups made use of analogue methodology on their filmographies, full of similarities, expressed in their identical techniques and languages, which can be seen in their didactical esthetic experiences and representations of the people with the purpose of concretize an ideological program for the nation. Therefore, the main goal of this masters degree is to support the hypothesis that, even being politically opposite, Ipês and CPC made use of very similar cinematographic referential.

ASSUNTO(S)

ideological propaganda film industry instituto de pesquisas e estudos sociais (research and social studies institute) anticomunismo golpe de 1964 centro popular de cultura (culture popular center) comunismo 1964 brazilian coup d etat centro popular de cultura anticommunism cinema de propaganda ideológica communism instituto de pesquisas e estudos sociais

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