Deslocamentos entre o samba e a fe : um olhar para genero, raça, cor, corpo e religiosidade na produção de diferenças / Displacements between the samba and the faith : a look towards gender, race, color, body and religiosity in the production of differences

AUTOR(ES)
DATA DE PUBLICAÇÃO

2009

RESUMO

This work says of visibilitis and invisibilitis, appearances in constant process of (reverse speed) significacion, dialogues between identities and differences, contextualizacions and reworks in ways of if seeing and being seen. It speaks of faith and party women, that if constitute and if they reconstitute as subject, to break of .its displacements and itineraries for spaces opposing and aparently contradictory: they transit between schools of samba and "evangélica" church, having the samba as symbolic axle that connects them to these two "worlds". From the theoretical referencial of the historical trajectory of the sort studies and its efforts in thinking the processes of production of differences, pit was go of the specific context of the samba schools, in it searchs to understand as if they had constructed and they are spread out the social relations that emerge of predetermined visual and aesthetic representations, on women who make samba. Queens, princesses, muses or godmothers of batteries, are nominations gifts in environments of samba, rhythm historically related to the black traditions. Moreover, they are citizens that materialize some corporal markers of social differentiation that, looked at as language, in many aspects, send to the ambiguities of the category "mulata", one social myth that persists represented for estereotipes associates to the sexuality, sensuality and seduction, as "natural" attributes of black women. Taking in consideration the importance more than what alegoric of the appearance and the appearance, the problematizacion of the category "mulata", must together with be thought the mechanisms that assist the processes of its permanence that, in the case of this study, is mediated by the feminine body that samba. In this direction, in it interested them to see if, in some way, relations that if establish in the spaces of the samba school, dialogue with these representations in historical social constructions. But, beyond the placed questions, in the construction of the nets and enredos, looking at for the samba, it met faith, but not only the faith that already historically joins the samba and the afro-Brazilians religions, a faith different, new, evangélica, that it made possible to extend the questions still more. It enters the batteries of samba schools and the battery "Salmo 150 - in the footprint of the Lion", that batuca in the "March of Jesus" - with "mulatas of Christ" and rhythms who go of the samba to afoxé and ijexá, the displacements found in make possible them to argue if and as the new forms to tive deeply the religiosidade, proposal for neo-pentecostais churches, impactuam inside of the samba school and vice versa; To think color, body, sacred, feminility, identities and differences, in constant (reverse speed) positioning, these aparently contradictory spaces in the ways to think the corporeidade; To reflect on the importance, influence and impact of this transit in the perceptions of these and on these women, of samba and faith, about of the social representations associates to be black woman and in Brazil

ASSUNTO(S)

samba gender religiosity genero religiosidade raças difference (philosophy) samba race color diferença (filosofia)

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