Cartografia luminosa de um território em trânsito

Maria da Conceição Hatem de Souza

Cartography, inventing trajectories, giving way to affections and touch. Considering photography a method, this thesis project/process works as a device of luminous register, in the attempt of retorting the poetry of the instant. A Turner becoming, a tempest, wind, cloud becoming, wave. The luminous instant is cut out by the image register, and it draws a volume and contents a runaway point. Dissipating in order to constitute passages, real, physical and effective states, sensations. If it had to tell some happening, from which point would it leave? Or what point of view would be selected? What is the intensity of the narrative? Which device can be created to cope with the lived sensation? From these anxieties, I am invoked to create a method. The choice of recognizing and compounding a thesis as a device that allows the connection with the experience of the intensive. Making vibrate the sensation. Photographs, exhibitions, the constructing of narratives, fables, shapes that try to re-set not only the lived experience, but also the lived sensation. The cloud as a sensation being, the photograph that keeps inside itself the time of the light, the luminous intensity of the instant of a day. A childs play. A child-becoming, inventing shapes with clouds. New shapes, inconstant shapes that are transfigured by the winds, taking us to other territories. Simulacra of existence, a universe of possibilities

Cartografia luminosa de um território em trânsito

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