Brazilian orchestral percussion: editorial and interpretative problems / Percussão orquestral brasileira: problemas editoriais e interpretativos
AUTOR(ES)
Eduardo Flores Gianesella
DATA DE PUBLICAÇÃO
2009
RESUMO
The objective of this dissertation is to help solve some of the interpretation problems which arise in the percussion parts of Brazilian symphonic music. Rich in timbre and rhythm, these parts may cause doubts which stem from the nomenclature of the instruments as well as editorial or technical issues. A number of works by different composers were selected that are especially suited for a thorough examination of these difficulties. When necessary the original manuscripts, as well as the sources which came directly from the composers, were consulted, in order to clarify the real intentions behind these usages and to help solve the problems that arise. This analysis, associated with the experience of playing and recording these and other pieces, has helped to arrive at important conclusions which regard the use and notation of the vast arsenal of percussion instruments - both common and uncommon - which include the revision of existing parts and the solution of nomenclature and performance practice problems found in works by Antônio Carlos Gomes, Mozart Camargo Guarnieri, César Guerra-Peixe, Franciso Mignone, Claudio Santoro, Rubens Ricciardi and Heitor Villa-Lobos.
ASSUNTO(S)
percussão; orquestral; brasileira; interpretação; edição percussion; orchestral; brazilian; interpretation; edition
Documentos Relacionados
- Festspielmusik de Ronaldo Miranda para dois pianos e percussão: uma abordagem interpretativa
- Festspielmusik de Ronaldo Miranda para dois pianos e percussão: uma abordagem interpretativa
- A Lógica de Aristóteles : problemas interpretativos e abordagens contemporâneas dos primeiros analíticos
- Percussão multipla mediada por processos tecnologicos
- A Reforma Psiquiátrica Brasileira: perspectivas e problemas