A viagem e o relato de viagem em "O Recado do Morro" de João Guimarães Rosa: travessia, contemplação, interatividade e identidade

AUTOR(ES)
DATA DE PUBLICAÇÃO

2011

RESUMO

The overall objective of the study of the short story "O Recado do Morro," the writer João Guimarães Rosa (1908-1963), integrated into the Corpo de Baile anthology (1956), to elucidate the work of hybridization of form, structure and language of the tale Using data from the traveler s field notebooks author and reported in narrative creation process. The understanding of the work designed by us as fictional trans interested in with regard to how the empirical reality is translated by the books (and Boiada 1 Boiada 2) and transformed by the antics of the fictional narrator-traveler, reader, creator and witness simultaneously. The emergence of history, from the perspective of the author diplomat, pointed to the difference reflected in latu and strict sense - the movement of time and space travel through the memory in fable flow of images and maps of the rich nature of the Hinterland Miner. Scenarios and field trials of poetic language in the telling of stories in sync. In this deployment of meta-narratives, the dialogism is the method that implements the parallel tale books and field - between the last collection (Travel, 1952) and present the report (in constant update.) The major effect is marked by the journey of the invention (Seven Stories and seven Messegers), through the other, human and geographical otherness that are meant to represent and refract the author s intentions in terms of a universal message: "O Recado do Morro, o Morro da Garça in the region of Cordisburgo in trans poetry to" The Scrap of Earth. " In the dynamics of travel, the polyphonic narrative finds its dual core, the poetic and linguistic identity uniqueness Rosa, once degenerated by the memory flow, point to the utopia of this unfinished the work in virtual coexistence and current. These are the basic principles raised by the reading of discovery and invention, crossing, contemplation and interactivity, this dissertation

ASSUNTO(S)

literatura comparada narrativa de viagem narrador viajante alteridade interatividade identidade processo de criação corpo de baile joão guimarães rosa travel narrative narrator traveler otherness interactivity identity creation process the corps de ballet

Documentos Relacionados