A psicanálise nos limites da literatura : um estudo sobre a obra de Raymond Roussel / The psychoanalysis on the limits of literature: a study of Raymond Roussels work

AUTOR(ES)
DATA DE PUBLICAÇÃO

2007

RESUMO

This dissertation analyses the work of the French writer Raymond Roussel, starting from the proposal of Michel Foucault that literature is a locus of transgression, where the limits of language are questioned. In Comment jai écrit certains de mes livres (1935), published after his death, Raymond Roussel presented his writing method, which has originated his others books Impressions dAfrique (1910) and Locus Solus (1914). This procedure involves the use of synonymy and homophony, the decomposition of terms and the suspension of meaning, creating a literature that seeks specifically to transform words in pictures of rébus. Roussels writing method invites us to think about the relations brought by psychoanalysis, first, between word and things, and second, between language, memory and the unconscious. His statement in me imagination is all opposes to the so called psychobiography, which enables a reflection about the encounter of art and psychoanalysis. At the end of this study, we realized that the work of Raymond Roussel remains as enigmatic as the navel of dream resists to interpretation. His creation procedure insists in the breaking and destruction of meaning, in the impossibility of connection. Faced with such text, psychoanalysis does not seek a single meaning, which unravels the whole work, but the production of new words that questions not only the text but the psychoanalysis itself.

ASSUNTO(S)

literature raymond roussel psicologia linguagem - estilo - psicanálise psicanálise na literatura psychoanalysis raymond roussel language

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