A POÉTICA DE J. J. VEIGA EM SOMBRAS DE REIS BARBUDOS

Eleone Ferraz de Assis

The goiano author Jose J. Veiga in all his publication, he wake up different opinions and even contradictory in the Brazilian literary criticism. In order to understand his fictional universe, this work examines the novel Sombras de reis barbudos, from the perspective of theoretical assumptions of irony and the poetry of surrealism. The first chapter, appointed "Narrative components of José J. Veiga," subdivided as follows: "The narrator in Sombras de reis barbudos"; "The plot", "The characters"; "The space" and "Time". In Sombras de reis barbudos, the narrator-character use internal approach and activetion of the autodiegetica memory to present the facts that have occurred in Taitara, the plot and characters are inseparable; the space and time narrative look for tobe situated charecter actoins in the repressive world described in history. The second chapter appointed "José J. Veiga in the Surrealism track", is divided in three parts that try to clarify the surreal poetry, the contact points of the novel Sombras de reis barbudos with the surrealism and policy of a surreal poetic, so as to show the veiguiana poetry introduces dare and liberating propose of the limits imposed for an oppressive system. The third and final chapter will be dedicate to the irony study that running of the novel language. Thus, it has consideretion on the irony like valued edge, the polyphony of veiguiano ironic speech and as polyphony, a discursive element that is often confused with the carnival language and too presente the novel by José J. Veiga as a starting point for interpretion, enjoying and formalising of reality. This research indicates that the novel contact points with the surreal and the irony presence show how an resistance attitude to oppressive context.

A POÉTICA DE J. J. VEIGA EM SOMBRAS DE REIS BARBUDOS

AUTOR(ES)

DATA DE PUBLICAÇÃO

RESUMO

ASSUNTO(S)

ACESSO AO ARTIGO

Documentos Relacionados