A narrativa em questão: recriação no romance Amar-te a ti nem sei se com caricias de Wilson Bueno / The narrative in question: recreation in Wilson Bueno s novel: Amar-te a ti, nem sei se com caricias

AUTOR(ES)
DATA DE PUBLICAÇÃO

2008

RESUMO

This is a research on the romance "Amar-te a tinem sei se com caricias" (2004), by Wilson Bueno, whose mastery of the writing consecrates the narrative through the work with the language. We analyzed the narrative in the perspective of the elaboration of the contemporary literary texts, discussing themes as the transgression to the traditional form of doing literary, the fragmentation of the narrative, the irony and the game as fundamental resources for the warp of the narrative, emphasizing the verbal invention and the different stylistic resources that Bueno takes advantage intentionally to weave the narrative for besides the simple copy. We also retook the discussion on the "end of the great narratives" because we saw to appear in the contemporary texts that prefer the language as plot, whose difference is in their no-pretension of breaking with the movement that gave their origin, to the opposite, they suggest a sequence and profanation at the same time with the writers or with the precedent language. It is like this through the dialogue with the past and with sinuous syntax, that Bueno installs unusual constructions, what serves so much to revitalize the contemporary language as the nineteenth prose. In that perspective, the dissertation emphasizes the renewal character and revitalisation in the work in subject. Like this, we have in "Amar-te a ti nem sei se com caricias" an interpenetration of speeches that privileges the game and the irony, according to the aspects of the rewriting and of the appropriation. That rewriting movement, of recreation , makes possible the dialogue among the XIX and XXI centuries, what verified for the relationships established intertextuals as operators of dialogues with the literary tradition, elements that Bueno retakes and registers, constituting as much a satire as a homage to the Portuguese language, "uncultured and beautiful woman". This way that Bueno s narrative is revealed: as updating of the past for the historical perspective and also as updating of the present, rethinking and recreating the forms and the contents of the past, revealing the forms of the recreation demonstrating only talent of who dominates not only the own language, but the art of narrating, illuminating the silence, the injunctions, the statement and the no-said with words.

ASSUNTO(S)

narrativa contemporanea apropriação recreation appropriation wilson bueno recriação literatura brasileira contemporary narrative

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