A constituição do campo acadêmico da dança no Brasil.

AUTOR(ES)
DATA DE PUBLICAÇÃO

2008

RESUMO

This study presents a map of the academic research production developed between 1987 and 2006 in order to analyze the constitution of the academic dance field in Brazil. Is used as reference the concepts of field and social space proposed by the sociologist Pierre Bourdieu. Its presupposed that those should be comprehended in their theory system and associated to the phenomenon observed. So far, the academic research in dance in Brazil has been compiled, using the Banco de Teses e Dissertações da Capes, and the search for the word dance in titles, abstracts and key-words as operational mechanism. The results has been selected, examined in an analytical way, and discussed considering political-epistemological implications. The academic practices are the focus, so the concept of artistic field is not used, even discussing the relation between artistic and academic capital. Its concluded that the academic dance field is in process of constitution. The research production has been growing considerably in the last years and is characterized as geopolitical disperse, with concentration focus. It is considered epistemological diversified, presenting local authorities and certain tendency to eugenic. It is indicated that this process would be accelerated with the creation of structures that could promote environments of cooperation and dispute, as academic encounters, magazines and periodics, stimulating the agents specialization, the authorities definition and the establishment of the products specificities. It is believed that those mechanisms would effectuate the dynamics of circulation, consume and continuity of the academic knowledge production in dance, contributing for the process of consolidation and autonomy of the field.

ASSUNTO(S)

campo academic research danca espaço social dança pierre bourdieu

ACESSO AO ARTIGO

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