Actor Mc
Mostrando 1-5 de 5 artigos, teses e dissertações.
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1. Dion Boucicault’s Robert Emmet?: The Question of Authorship and the Season Premiere at the McVicker's Theatre, Chicago, on November 5, 1884
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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2. Lanters, José. The Theatre of Thomas Kilroy: No Absolutes. Cork UP, 2018.
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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3. A performance poética do ator-MC
Twelve years ago, Núcleo Bartolomeu de Depoimentos an artistic collective based in São Paulo - started a research which came from the dialogue of two kinds languages: epic theater (more precisely the one broadcasted by german playwright Bertolt Brecht) and hip-hop (urban popular culture born in the early 70s in the United States), giving rise to a mixed la
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 04/12/2012
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4. Os perpétuos e os incompletos: permanência e movimento nos gibis de super-heróis e na série Sandman
This thesis analyzes the fictional narratives of the comics books series Sandman, written by the British author Neil Gaiman, originally published by DC Comics and, in Brazil, by Globo, from 1989 to 1996, noting the translation and appropriation of elements from different cultural contexts for the construction of the narrative, in order to demonstrate that Sa
Publicado em: 2010
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5. Critical management studies: some reflections
This paper seeks to challenge some assumptions associated with Critical Management Studies (CMS). This is done based on insights originating from the Actor-Network Theory (ANT), an approach that can be considered as an empirical form of post-structuralism and that has gained prominence in social sciences. Fundamentally, this paper broadly reviews some key CM
BAR - Brazilian Administration Review. Publicado em: 2008-03