Acoustic Music
Mostrando 25-28 de 28 artigos, teses e dissertações.
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25. Desenvolvendo uma meta-linguagem para síntese sonora.
The software sound synthesis is closely related to the Music N programs started with Music I in 1957. Although theMusic N has many advantages such as the unit generators and a flexible score language, it presents a few problems like limitations on instrument reuse, in- flexibility of parameters, lack of a built-in graphical interface, and usually only one pa
Publicado em: 2004
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26. A idéia de espaço na comunicação sonora: a composição musical recente
Thework investigates the idea af space as a communicative element in recent instrumental music. Among the fundamental features ane may find ideas such as diagrammatic intuition, seen as a kind af angina in compositional life, and the distinction of four genres of spatiality which interpenetrate each ather: sonic space, figural space, scenic space. acoustic s
Publicado em: 2004
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27. Self-similarity of the "1/f noise" called music.
Suggestions have been made that computer musicians should attempt to compose fractal music, and questions have been raised whether there is such a thing as fractal music. Voss and Clark observed that music is scaling, or 1/f noise, as analyzed on the basis of the amplitude (loudness) of the audio signals; they failed to find a fractal distribution of acousti
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28. Superior Formation of Cortical Memory Traces for Melodic Patterns in Musicians
The human central auditory system has a remarkable ability to establish memory traces for invariant features in the acoustic environment despite continual acoustic variations in the sounds heard. By recording the memory-related mismatch negativity (MMN) component of the auditory electric and magnetic brain responses as well as behavioral performance, we inve
Cold Spring Harbor Laboratory Press.