Theatre
Mostrando 1-12 de 328 artigos, teses e dissertações.
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1. Repenser le théâtre: Benjamin Fondane, pour une poétique existentielle
Resumo Alguns traços dominantes conferem uma certa unidade à visão do teatro de Benjamin Fondane, aliás B. Fundoianu, sobe o teatro. Refinados sob a influência do meio intelectual e artístico francês, especialmente após o encontro com Artaud e Chestov (que acentuou a predisposição “existencial” do pensamento de Fondane), esses elementos dominan
Alea: Estudos Neolatinos. Publicado em: 2022
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2. L’arte nella costruzione della memoria collettiva colombiana: l’apporto della diaspora in Europa
Abstract The aims of this article is to show how, in the context of the armed conflict in Colombia, the Colombian diaspora in Europe, through some of its artistic expressions, offers an important contribution to the construction of the collective memory of the country. Four art proposals with a strong performative value are compared by means of content analy
REMHU, Rev. Interdiscip. Mobil. Hum.. Publicado em: 2021-08
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3. DESCRIBING PAIN IN MARY RAFTERY’S DOCUMENTARY PLAY NO ESCAPE
Abstract Documentary theatre is a genre in which real sources and events are used and edited to become the form of dramatic texts and performances. The personal experiences narrated in No Escape (2010),a documentary play by Mary Raftery, have shocked many people, due to the play’s multiple graphic descriptions of child abuse which took place in industrial
Ilha Desterro. Publicado em: 2021-04
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4. Language, Translation, and the Irish Theatre Diaspora in Quebec
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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5. Performance and Diaspora: Irish Theatre in its International Contexts
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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6. Lonergan, Patrick. Irish Drama and Theatre Since 1950. Methuen, 2019.
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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7. Jordan, Eamonn. The Theatre and Films of Conor McPherson: Conspicuous Communities. Methuen, 2019.
Abstract: This article argues for the inclusion of Québécois translations of Irish plays as part of the Irish theatrical diaspora. The presence of an Irish diaspora in North America was mainly the result of massive waves of immigration, in large part due to the Great Famine, peaking during the mid-nineteenth century before gradually abating. This diaspora
Ilha Desterro. Publicado em: 2020-08
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8. Domesticity in the Trilogies of Sean O’Casey and Yu Ch’i-jin
Abstract This article examines the portrayal of the domestic realm in both Irish playwright Sean O'Casey's 1920s Dublin Trilogy and Korean playwright Yu Ch'i-jin's 1930s Nongchon trilogy. I argue that Yu echoes O’Casey’s staging of nationhood by focusing on the homeland and the home, as he deems O’Casey’s methods to be most successful for catering to
Ilha Desterro. Publicado em: 2020-08
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9. Haughton, Miriam. Staging Trauma: Bodies in Shadow. Palgrave Macmillan, 2018.
Abstract This article examines the portrayal of the domestic realm in both Irish playwright Sean O'Casey's 1920s Dublin Trilogy and Korean playwright Yu Ch'i-jin's 1930s Nongchon trilogy. I argue that Yu echoes O’Casey’s staging of nationhood by focusing on the homeland and the home, as he deems O’Casey’s methods to be most successful for catering to
Ilha Desterro. Publicado em: 2020-08
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10. Lanters, José. The Theatre of Thomas Kilroy: No Absolutes. Cork UP, 2018.
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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11. Dion Boucicault’s Robert Emmet?: The Question of Authorship and the Season Premiere at the McVicker's Theatre, Chicago, on November 5, 1884
Abstract The Irish playwright Dion Boucicault (1820-1890) spent most of his career in the United States, where he established himself, adapting crucial moments of Irish history to the stage. Robert Emmet (1884), a play produced at the end of his career, arouses questioning surrounding its authorship. The dramatic text was arguably written by the playwright F
Ilha Desterro. Publicado em: 2020-08
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12. Dion Boucicault: showman and shaughraun
Abstract: Dion Boucicault’s three Irish plays: The Colleen Bawn (1860), Arrah-na-Pogue (1864) and The Shaughraun (1874), while not critically significant, owe their perennial popularity to their appeal to Irish romantic nationalism and to their memorable character types. While Boucicault’s character Myles Murphy or Myles na gCopaleen (Myles of the Ponies
Ilha Desterro. Publicado em: 2020-08