Nos En(tre)cantos de Dulcinea Del Toboso : (Uma cantata cênica)

AUTOR(ES)

Karla Calasans de Mello

DATA DE PUBLICAÇÃO

2010

RESUMO

The study subject of this cantata is Dulcinea del Toboso, the peerless Lady created by Don Quixote in the narrative called The Ingenious Gentleman Don Quixote de la Mancha, written by Miguel de Cervantes Saavedra in the years 1605 (first book) and 1615 (second book). The research is based on two principles: the concepts of silence and female extracted from the Dulcinea character. These principles are sung in different melodies of a scenic cantata (Nos En(tre)cantos de Dulcinea Del Toboso- uma cantata cênica). The research develops using the multiple meanings of the Portuguese word canto. The ideas of songs, nooks, enchanted, decanted and cantata are derived from the word canto. These ideas are used to create the titles of each aria of this musical and textual work dedicated to Dulcinea. In the first aria, the Lady is sung through the perspective of the innermost recesses of some scholars and researchers of Don Quixote. In the second aria, she is enchanted by the speeches of Don Quixote, Sancho Panza and the Duchess. In the third aria, Dulcinea is decanted from the Middle Age point of view of political, historical, social and ideological issues. In the fourth aria the Lady is represented as the silence of a song sung in partnership with Don Quixote. These two characters create an archetypal melody that echoes throughout the history of the human soul - the conjunction of male and female concepts. Finally, Dulcinea in the cantata, the creation of a theatrical performance, a parody, singing the nooks and charms decanted and sung along this cantata.

ASSUNTO(S)

literaturas estrangeiras modernas song dom quixote dulcinea silêncio canto female silence feminino

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