A Voz e o Campo de Visão / The Voice and the Field of Vision

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

21/08/2012

RESUMO

This research focuses on studying the actors voice in the improvisational game developed by PhD. Marcelo Lazzaratto called Field of Vision, which has only one rule in its dynamics: follow any movement that appears on the field of vision of the actor. As the Field of Vision is a very simple and vast game, many aspects that make up the voice of the actor in fiction was deepened during the research, being: the silence, breathing, the space and its acoustics, the word, among others. Some technical aspects of vocal production were also studied in the game: articulation, diction, resonance, timbre, register and rhythm, for example, always integrated to the interpreter poetics. For the solidification of these considerations, this study confronts ideas of some thinkers, philosophers, artists and scientists with the ideas Lazzaratto has developed in his academic researches and at the Companhia Elevador de Teatro Panorâmico, a theatre company that has been researching the Field of Vision for more than 10 years, naming: Grotowski, Artaud, Cicely Berry, Sara Lopes, Tomatis and Novarina, among others. In addition, to further the investigation, there was a group of actors from different backgrounds, which, during six months in weekly encounters, researched some specific voice aspects in the Field of Vision, which was responsible for most of the concepts here structured. Focusing on the vocal expression of the actors, this study rests on an alliance between practical research, the authors that were studied and my own personal experience as an actor inside the Field of Vision as a investigation procedure and theatrical aesthetics, specifically in the play Ifigênia, performed by Companhia Elevador.

ASSUNTO(S)

voz silêncio respiração expressão voice silence breathing expression

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